Apple's Macintosh computer supports a wide variety of fonts. This support was one of the features that initially distinguished it from other systems.
Find the best Mac Computer Repair near you on Yelp - see all Mac Computer Repair open now. Explore other popular Local Services near you from over 7 million businesses with over 142 million reviews and opinions from Yelpers. Next on our list of 12 best video editing software for Mac is Final Cut Pro. It is Apple's premier professional video editing software for macOS users. The application is built to tap into the robust processing core, graphics card, and VRAM that power the latest Mac machines.
Fonts[edit]
System fonts[edit]
The primary system font in OS X El Capitan and above is San Francisco. OS X Yosemite used Helvetica Neue, and preceding versions largely employed Lucida Grande. For labels and other small text, 10 pt Lucida Grande was typically used. Lucida Grande is almost identical in appearance to the prevalent Windows font Lucida Sans, and contains a larger variety of glyphs.
MacOS ships with multiple typefaces, for multiple scripts, licensed from several sources. MacOS includes Roman, Japanese and Chinese fonts. It also supports sophisticated font techniques, such as ligatures and filtering.
Many of the classic Macintosh typefaces included with previous versions remained available, including the serif typefaces New York, Palatino, and Times, the sans-serif Charcoal and Chicago, Monaco, Geneva and Helvetica. Courier, a monospaced font, also remained.[1]
In the initial publicly released version of Mac OS X (March 2001), font support for scripts was limited to Lucida Grande and a few fonts for the major Japanese scripts. With each major revision of the OS, fonts supporting additional scripts were added.
Zapfino[edit]
Zapfino is a calligraphic typeface designed by and named after renowned typeface designer Hermann Zapf for Linotype.[2][3] Zapfino utilizes advanced typographic features of the Apple Advanced Typography (AAT) 'morx' table format and is included in OS X partially as a technology demo. Ligatures and character variations are extensively used. The font is based on a calligraphic example by Zapf in 1944. The version included with macOS is a single weight. Since then, Linotype has introduced 'Linotype Zapfino Extra' which includes the additional 'Forte' weight with more options and alternates.
Several of the GX fonts that Apple commissioned and originally shipped with System 7.5 were ported to use AAT and shipped with Mac OS X 10.2 and 10.3. Hoefler Text, Apple Chancery and Skia are examples of fonts of this heritage. Other typefaces were licensed from the general offerings of leading font vendors.
LastResort[edit]
The LastResort font is invisible to the end user, but is used by the system to display reference glyphs in the event that glyphs needed to display a given character are not found in any other available font. The symbols provided by the LastResort font place glyphs into categories based on their location in the Unicode system and provide a hint to the user about which font or script is required to view unavailable characters. Designed by Apple and extended by Michael Everson of Evertype for Unicode 4.1 coverage, the symbols adhere to a unified design. The glyphs are square with rounded corners with a bold outline. On the left and right sides of the outline, the Unicode range that the character belongs to is given using hexadecimal digits. Top and bottom are used for one or two descriptions of the Unicode block name. A symbol representative of the block is centered inside the square. The typeface used for the text cutouts in the outline is Chicago, otherwise not included with macOS. LastResort has been part of Mac OS since version 8.5, but the limited success of Apple Type Services for Unicode Imaging (ATSUI) on the classic Mac OS means that only users of macOS are regularly exposed to it.
Lucida Grande[edit]
Of the fonts that ship with macOS, Lucida Grande has the broadest character repertoire. This font provides a relatively complete set of Arabic, Roman, Cyrillic, Hebrew, Thai and Greek letters and an assortment of common symbols. All in all, it contains a bit more than 2800 glyphs (including ligatures).
In macOS v10.3 ('Panther'), a font called Apple Symbols was introduced. It complements the set of symbols from Lucida Grande, but also contains glyphs only accessible by glyph ID (that is, they have not been assigned Unicode code points). A hidden font called .Keyboard contains 92 visible glyphs, most of which appear on Apple keyboards.
Font management[edit]
System 6.0.8 and earlier[edit]
Originally, the Macintosh QuickDraw system software supported only bitmapped fonts. The original font set was custom designed for the Macintosh and was intended to provide a screen legibility. These system fonts were named after large cities, e.g. New York, Chicago, and Geneva. (See Fonts of the Original Macintosh.)
Bitmapped fonts were stored as resources within the System file. A utility called Font/DA Mover was used to install fonts into or remove fonts from the System file. Fonts could be embedded into Macintosh applications and other file types, such as a HyperCard stack. Unused fonts were stored in a suitcase file.
The ImageWriter printer supported a higher resolution mode where bitmap fonts with twice the screen resolution were automatically substituted for 'near letter quality' printing. (For example, a 24-point bitmapped font would be used for 12-point printing.) This feature was sometimes called two-times font printing. Some later Apple QuickDraw-based laser printers supported four-times font printing for letter quality output.
With the introduction of the LaserWriter and support for PostScript-compatible printers, the Mac system software initially supported outline fonts for printing only. These outline fonts could be printed in letter quality at any size. PostScript fonts came with two files; a bitmap font was installed into the System file, and an outline font file was stored in the System Folder. Some of the bitmapped 'city' fonts were automatically replaced by PostScript fonts by the printer driver. Commercial typefaces such as Times and Helvetica began to be distributed by Apple, Adobe Systems and others.
The Adobe Type Manager (ATM) system extension allowed PostScript outline fonts to be displayed on screen and used with all printers (PostScript or not). This allowed for true WYSIWYG printing in a much broader set of circumstances than the base system software, however with a noticeable speed penalty, especially on Motorola 68000-based machines.
After the release of System 7, Apple added System 6 support for TrueType outline fonts through a freely available system extension, providing functionality similar to ATM. Apple provided TrueType outline files for the bitmapped 'city' system fonts, allowing letter quality WYSIWYG printing.
A reboot was required after installing new fonts unless using a font management utility such as Suitcase, FontJuggler or MasterJuggler.
System 7 – Mac OS 9[edit]
A highly touted feature of System 7 was integrated TrueType outline font support, which received industry support from Microsoft. Fonts were still stored in the System file but could be installed using drag-and-drop. To install new fonts, one had to quit all applications.
Despite this, ATM and PostScript Type 1 fonts continued to be widely used, especially for professional desktop publishing. Eventually Adobe released a free version of their utility, called ATM Light.
In System 7.1, a separate Fonts folder appeared in the System Folder. Fonts were automatically installed when dropped on the System Folder, and became available to applications after they were restarted. Font resources were generally grouped in suitcase files. However, rules for storing printer fonts varied greatly between different system, printer and application configurations until the advent of the new Fonts folder. Typically, they had to be stored directly in the System Folder or in the Extensions Folder.
System 7.5 added the QuickDraw GX graphics engine. TrueType GX supported ligatures and other advanced typography features. However little software supported these features and PostScript remained the standard.
Starting with Mac OS 8.5, the operating system supported data fork fonts, including Windows TrueType and OpenType. In addition, Apple created a new format, called>.dfont. PostScript variant.
Fonts in the /System/Library/Fonts folder and the /Library/Fonts folder are available to all users. Fonts stored in a user's ~/Library/Fonts folder are available to only that user. Previously, up to OS X 10.4, both Mac OS 9 applications running in the legacy Classic Environment and native applications could access fonts stored in the Mac OS 9 system folder
macOS includes a software rasterizer that supports PostScript. Thus eliminating the need for the Adobe Type Manager Light program. The built-in text editing supports advanced typesetting features such as adjustable kerning and baseline, as well as a few OpenType features.
Support for QuickDraw GX fonts was dropped in macOS in favor of TrueType fonts using AAT features. Bitmap fonts are only used on screen if there is a corresponding vector form (which is always used in printing).
Since OS X v10.3 (Panther), a utility called Font Book has been included with the operating system allowing users to easily install fonts and do basic font management.
Third-party font managers[edit]
As desktop publishing took off and PostScript and other outline font formats joined the bitmap fonts, the need for unified font management grew. A number of third parties have created tools, such as Suitcase, for managing font sets. For example, they allowed enabling or disabling fonts on-the-fly, and storing fonts outside of their normal locations. Some even allow the use of Windows .ttf font files natively on systems prior to macOS.
Font technology[edit]
TrueType and PostScript[edit]
TrueType is an outline font standard developed by Apple in the late 1980s, and later licensed to Microsoft, as a competitor to Adobe's Type 1 fonts used in PostScript, which dominated desktop publishing.
The outlines of the characters in TrueType fonts are made of straight line segments and quadratic Bézier curves, rather than the cubic Bézier curves in Type 1 fonts. While the underlying mathematics of TrueType is thus simpler, many type developers prefer to work with cubic curves because they are easier to draw and edit.
While earlier versions of the Mac OS required additional software to work with Type 1 fonts (as well as at least one bitmap copy of each Type 1 font to be used), macOS now includes native support for a variety of font technologies, including both TrueType and PostScript Type 1.
Microsoft, together with Adobe, created an extended TrueType format, called OpenType. Apple, however, continued to develop TrueType. A Zapf table, for example, maps composite glyphs to characters and vice versa and adds other features. The table was named after typeface creator Hermann Zapf with permission.[3]
QuickDraw GX[edit]
QuickDraw GX was a complete overhaul of the Macintosh graphics system, including the font system, which was rolled out for System 7.5 in 1995. QuickDraw GX fonts could be in either TrueType or PostScript Type 1 formats and included additional information about the glyphs and their purpose. Advanced features, such as ligatures, glyph variations, kerning information and small caps, could be used by any GX enabled application. Previously, they had typically been reserved for advanced typesetting applications.
Microsoft was refused a license to GX technology and chose to develop OpenType instead. GX typography and GX technology as a whole never saw widespread adoption. Support for GX was dropped in later versions.
AAT covers much of the same ground as OpenType. It incorporates concepts from the Multiple Master font format, which allows multiple axes of traits to be defined and an n-dimensional number of glyphs to be accessible within that space. AAT features do not alter the underlying characters, but do affect their representation during glyph conversion.
AAT is supported in IBM's open source ICU library, which implements support for AAT fonts under Linux and other open source operating systems.
Hinting technology[edit]
Hinting is the process by which TrueType fonts are adjusted to the limited resolution of a screen or a relatively low resolution printer. Undesired features in the rendered text, such as lack of symmetry or broken strokes, can be reduced. Hinting is performed by a virtual machine that distorts the control points that define the glyph shapes so that they fit the grid defined by the screen better. Hinting is particularly important when rendering text at low effective resolution: that is, with few pixels per character.
Hinting is part of the TrueType specification, but Apple held three patents in the United States relating to the process:
- US 5155805 'Method and apparatus for moving control points in displaying digital typeface on raster output devices' (filed May 8, 1989)
- US 5159668 'Method and apparatus for manipulating outlines in improving digital typeface on raster output devices' (filed May 8, 1989)
- US 5325479 'Method and apparatus for moving control points in displaying digital typeface on raster output devices' (filed May 28, 1992)
Until they expired, Apple offered licensing of these patents. Microsoft had access to Apple's TrueType patents through cross-licensing. These patents have proven problematic to developers and vendors of open source software for TrueType rendering, such as FreeType. To avoid infringing on the patents, some software disregarded the hinting information present in fonts, resulting in visual artefacts. FreeType developed an automatic hinting engine, but it is difficult to beat the explicit hinting guidelines provided by the typeface designer. The problem of lacking hinting could also be compensated for by using anti-aliasing, although a combination of the two produces the best result.
Subpixel rendering[edit]
OS X/macOS uses subpixel rendering. Version 10.2 introduced subpixel rendering of type and Quartzvector graphics. This feature is enabled using the System Preferences panel 'General' (10.2) or 'Appearance' (10.3), by setting the font smoothing style to 'Medium — best for Flat Panel'. OS X 10.4 introduced an 'Automatic' setting which transparently chooses either 'Medium' or 'Standard,' depending on the type of main display. The quality of the rendering compared to Microsoft's ClearType and FreeType is contested, and is largely a matter of reader preference. However, Apple's approach differs from that of ClearType and FreeType in that TrueType hinting instructions are discarded for all but the smallest type sizes. This results in more consistency of rendering on Mac OS at the expense of allowing type designers a level of fine tuning through hints.
Fonts of the original Macintosh[edit]
Approximately 12 fonts were included with the classic Mac OS (versions 1–9). With the sole exception of Bill Atkinson's Venice typeface, the fonts included with the original Macintosh were designed by Susan Kare, who also designed most of the Macintosh's original icons.
The Macintosh was an early example of a mainstream computer using fonts featuring characters of different widths, often referred to as proportional fonts. Previously, most computer systems were limited to using monospaced fonts, requiring, for example, i and m to be exactly the same width. Vector-based fonts had yet to appear in the personal computer arena, at least for screen use, so all the original Mac's typefaces were bitmaps. Fonts were available in multiple sizes; those sizes installed on a system would be displayed in the font menu in an outline style.
From System 1 through Mac OS 7.6, the default system fonts for Mac OS were Chicago for menus and window titles and Geneva for Finder icons, and they could not be customized. The fonts for Finder icons became customizable starting in System 7. It is accessible in the 'Views' control panel. In Mac OS 8 and Mac OS 9, the default system font was changed to Charcoal menus and window titles, but it could be customized in Preferences. Juegos de casino gratis quick hit.
Naming[edit]
After designing the first few fonts, the team decided to adopt a naming convention. First, they settled on using the names of stops along the Paoli, Pennsylvania, commuter rail line: Overbrook, Merion, Ardmore, and Rosemont. Steve Jobs had liked the idea of using cities as the names, but they had to be 'world class' cities.[4] You will be remembered mac os.
Variants[edit]
Ninja tycoon mac os. Variants of each font were algorithmically generated on-the-fly from the standard fonts. Bold, italic, outlined, underlined and shadowed variations were the most common, though some applications also included subscript and superscript.
Outline, shadow and underline are not always supported by modern software and fonts.
Apple logo[edit]
Apple's fonts and the Mac OS Romancharacter set include a solid Apple logo. Angel vs demons game. One reason for including a trademark in a font is that the copyright status of fonts and typefaces is a complicated and uncertain matter. Trademark law, on the other hand, is much stronger. Third parties cannot include the Apple logo in fonts without permission from Apple.[citation needed] Apple states in the MacRoman to Unicode mapping file that:
On regular US QWERTY keyboards, the logo character can be typed using the key combination Shift Option K (⇧⌥K). In MacRoman, the Apple logo has a hex value of 0xF0. The Apple logo has not been assigned a dedicated Unicode code point, but Apple uses U+F8FF () in the Private Use Area.
Note that the logo does have a unique PostScript name in the Adobe Glyph List - /apple, mapping to F8FF. Novaforge mac os.
List[edit]
- Athens (slab serif)
- Cairo was a bitmapdingbat font, most famous for the dogcow at the z character position.
- Chicago (sans-serif) was the default Macintosh system font in System 1–7.6. Also seen on LCD screens of earlier iPod models.
- Geneva (sans-serif) is designed for small point sizes and prevalent in all versions of the Mac user interface. Its name betrays its inspiration by the Swiss typeface Helvetica. Nine point Geneva is built into Old World ROM Macs.
- London (blackletter) was an Old English–style font.
- Los Angeles (script) was a thin font that emulated handwriting.
- Mobile was a bitmapdingbat font. Before System 6, it was known as Taliesin.
- Monaco (sans-serif, monospaced) is a fixed-width font well-suited for 9–12 pt use. Ten point Monaco is built into Old World ROM Macs.
- New York (serif) was a Times Roman–inspired font. The name alluded to the inspiration, even though the Times for which Times Roman was created was that of London, not New York.
- San Francisco was a whimsical font where each character looked as if it was a cutout from a newspaper, creating an intentional ransom note effect.
- Toronto (slab serif) was a geometric design. It was removed from System 6 and later.
- Venice (script) was a calligraphic font designed by Bill Atkinson.
See also[edit]
References[edit]
- ^'Fonts supplied with Mac OS'. Microsoft. 2001-05-29. Retrieved 2008-07-17.CS1 maint: discouraged parameter (link)
- ^Strizver, Ilene (2015-06-29). 'Hermann Zapf, ITC & Apple: The History of ITC Zapf Chancery & ITC Zapf Dingbats'. CreativePro.com. Retrieved 2017-05-27.
- ^ ab'The TrueType Font File - The Zapf table'. TrueType Reference Manual. Apple Computer, Inc. 2000-09-14. Retrieved 2017-07-25.
- ^'World Class Cities'. Folklore.org. Retrieved 2008-07-17.CS1 maint: discouraged parameter (link)
External links[edit]
- 'Mac OS 7.x, 8.x 9.x: Fonts Included With Major System Releases'. Apple Inc. 2002-06-11. Retrieved 2008-07-17.CS1 maint: discouraged parameter (link)
This post is for the Mac users.
When it comes to Mac OS X, the number of freeware plugins is very low, compared to the Windows world.
The popular 'Save as VST' softwares (Synthedit and Synthmaker) are Windows only.
The 'upgrade' politic of Apple is a sort of nightmare for developers (and sometimes users!), so many old free plugins don't work anymore…
I have searched for free MAC plugins over the web and then tested !
– only free synth (not effects), in VST and or AudioUnit (AU) format
– the OS used is Mac OS X 10.8 (Mountain Lion)
– i tested the plugins in Ableton Live 9 / Renoise / some free VST & AudioUnit host softwares (Pedalboard, the JUCE open source plugin host, VSTLord, AULab, Ugly VSTi Interface…)
It's a selection with free virtual analog synths, organ emulations, epiano emulations, drum synth, bass synth, FM synth, emulation of Oberheim / NordLead / DX 7 synth, chip synth, guitar emulation…
and here a list of 25 free synth plugins for Mac OS X :
1. Synth1 AU/ VST
The must-have free synth plugin is available for Mac since one or two years, it is in beta state, it still have some minor bugs with the UI, but it's usable and you can benefit from the incredible amount of presets created for Synth1, including these 😀
=>
https://blog.wavosaur.com/synth1-presets-chris-bank-volume-2/ &
https://blog.wavosaur.com/chris-bank-synth1-reup/
I had some problems for saving preset in Ableton Live.
Synth1 can do an incredible variety of sounds.
The most versatile Synth in this list
2. OBXD AU / VST
OBXD AU
The free Oberheim OB-X OB-Xa OB-8 emulation !
work without any problem in my AudioUnit / VST hosts on Mac.
3. Tyrell N6 AU / VST
http://www.u-he.com/cms/tyrelln6
DL here : http://www.amazona.de/amazona-de-freeware-synthesizer-tyrell-n6-v3/
U-He loves the Mac, don't hesitate to have a look at the other freeware on the Website, all are working without problems in VST or AudioUnit format. I have also selected Triple Cheeze and Zebralette from the same developer. These plugins are good and full featured. Project.99_1704 mac os.
TyrellN6 plugin comes with a big amount of presets, and a deep variety of sounds. It's powerful and easy to program. It's rock solid stable and have a nice UI too!
4. FreeAlpha AU / VST
FreeAlpha AU
This freeware from LinPlug sounds very good, it has punch and is easy to tweak. It can do punchy bass, but also nice pads and clean leads. Despite its simple look, it's powerful and funky!
5. Crystal AU / VST
The old Crystal Synth is still top, and one of the best synth for complex / evolving PADS, with its multipoint envelopes, and the complete modulation matrix.
One of the best virtual synth, for more than 10 years!
6. TAL NoiseMaker AU / VST
TAL Noisemaker
Like U-He, TAL has many freebees for Mac OS X.
I have selected Noize M4k3r and Elek7tro but you also have other interesting plugins.
The 'Noise Maker' plugin has two osc + sub, a good filter and the famous Chorus 'a la Roland', so you have all you need for your fat bass/lead. Certainly more agressive than Crystal, it completes well the sonic arsenal.
7. Dexed FM VST
The famous free Yamaha DX7 emulation ! It's VST only (no AU for the moment).
Use the cart / load / save button to browse or import presets.
It can read / write sysex files for and from the DX7.
Now all your FM needs are fullfilled: you can do pop ballad or Detroit techno, vive la FM !
8. MiniSpillage AU (Drum Synth)
MiniSpillage AU
Now that we have the FM synth, the Pad synth, the Bass synth and Lead capable synths, we need a DRUM synth. The Minispillage plugin has three dedicated algo for bass drum, wood drum and hihat.
Snek (snepica studios) mac os. I tend to prefer 'Drumatic' but Drumatic is Windows only.
9. ComboF organ AU / VST
After all these synths, we now need an emulation of our prefered organ : the Farfisa combo organ!
ComboF gives you the sound of the Italian electric organ we all love. Available for Mac and windows, in AudioUnit and VST!
10. MrTramp 2 e-piano AU / VST
MrTramp2
After the organ emulation, we need the electric piano! MrTramp 2 is the best (free or not) emulation of the Wurlitzer electric piano. It's raining again ! Now you can sound like Supertramp ! Breakfast in America !! There are not so much controls but you don't need more, and the sound is excellent.
11. Cheeze Machine AU
A dedicated string synth plugin for Mac ! The Cheeze machine from Big Tick is a kind of Arp Solina emulation. It has this phaser / chorus creamy sound.
it's AU only and should work with your favorite Mac host software.
12. TripleCheese AU / VST
TripleCheeze plugin
Cheese again !
The U-He contribution to the first KVR Developer Challenge. It's an original synth with unusual sound generation. Nice for plucked sounds. Works well on my Mac OS X Mountain Lion. Thanks to the comb filter, you can generate very original sounds.
13. Zr3 organ VST
We have ComboF for the Farfisa emulation, and for the Hammond B3 organ lovers, there's Zr3.
It's VST only and works nice in Ableton Live 9.
The only good free Hammond B3 emulation for Mac OS X.
In the initial publicly released version of Mac OS X (March 2001), font support for scripts was limited to Lucida Grande and a few fonts for the major Japanese scripts. With each major revision of the OS, fonts supporting additional scripts were added.
Zapfino[edit]
Zapfino is a calligraphic typeface designed by and named after renowned typeface designer Hermann Zapf for Linotype.[2][3] Zapfino utilizes advanced typographic features of the Apple Advanced Typography (AAT) 'morx' table format and is included in OS X partially as a technology demo. Ligatures and character variations are extensively used. The font is based on a calligraphic example by Zapf in 1944. The version included with macOS is a single weight. Since then, Linotype has introduced 'Linotype Zapfino Extra' which includes the additional 'Forte' weight with more options and alternates.
Several of the GX fonts that Apple commissioned and originally shipped with System 7.5 were ported to use AAT and shipped with Mac OS X 10.2 and 10.3. Hoefler Text, Apple Chancery and Skia are examples of fonts of this heritage. Other typefaces were licensed from the general offerings of leading font vendors.
LastResort[edit]
The LastResort font is invisible to the end user, but is used by the system to display reference glyphs in the event that glyphs needed to display a given character are not found in any other available font. The symbols provided by the LastResort font place glyphs into categories based on their location in the Unicode system and provide a hint to the user about which font or script is required to view unavailable characters. Designed by Apple and extended by Michael Everson of Evertype for Unicode 4.1 coverage, the symbols adhere to a unified design. The glyphs are square with rounded corners with a bold outline. On the left and right sides of the outline, the Unicode range that the character belongs to is given using hexadecimal digits. Top and bottom are used for one or two descriptions of the Unicode block name. A symbol representative of the block is centered inside the square. The typeface used for the text cutouts in the outline is Chicago, otherwise not included with macOS. LastResort has been part of Mac OS since version 8.5, but the limited success of Apple Type Services for Unicode Imaging (ATSUI) on the classic Mac OS means that only users of macOS are regularly exposed to it.
Lucida Grande[edit]
Of the fonts that ship with macOS, Lucida Grande has the broadest character repertoire. This font provides a relatively complete set of Arabic, Roman, Cyrillic, Hebrew, Thai and Greek letters and an assortment of common symbols. All in all, it contains a bit more than 2800 glyphs (including ligatures).
In macOS v10.3 ('Panther'), a font called Apple Symbols was introduced. It complements the set of symbols from Lucida Grande, but also contains glyphs only accessible by glyph ID (that is, they have not been assigned Unicode code points). A hidden font called .Keyboard contains 92 visible glyphs, most of which appear on Apple keyboards.
Font management[edit]
System 6.0.8 and earlier[edit]
Originally, the Macintosh QuickDraw system software supported only bitmapped fonts. The original font set was custom designed for the Macintosh and was intended to provide a screen legibility. These system fonts were named after large cities, e.g. New York, Chicago, and Geneva. (See Fonts of the Original Macintosh.)
Bitmapped fonts were stored as resources within the System file. A utility called Font/DA Mover was used to install fonts into or remove fonts from the System file. Fonts could be embedded into Macintosh applications and other file types, such as a HyperCard stack. Unused fonts were stored in a suitcase file.
The ImageWriter printer supported a higher resolution mode where bitmap fonts with twice the screen resolution were automatically substituted for 'near letter quality' printing. (For example, a 24-point bitmapped font would be used for 12-point printing.) This feature was sometimes called two-times font printing. Some later Apple QuickDraw-based laser printers supported four-times font printing for letter quality output.
With the introduction of the LaserWriter and support for PostScript-compatible printers, the Mac system software initially supported outline fonts for printing only. These outline fonts could be printed in letter quality at any size. PostScript fonts came with two files; a bitmap font was installed into the System file, and an outline font file was stored in the System Folder. Some of the bitmapped 'city' fonts were automatically replaced by PostScript fonts by the printer driver. Commercial typefaces such as Times and Helvetica began to be distributed by Apple, Adobe Systems and others.
The Adobe Type Manager (ATM) system extension allowed PostScript outline fonts to be displayed on screen and used with all printers (PostScript or not). This allowed for true WYSIWYG printing in a much broader set of circumstances than the base system software, however with a noticeable speed penalty, especially on Motorola 68000-based machines.
After the release of System 7, Apple added System 6 support for TrueType outline fonts through a freely available system extension, providing functionality similar to ATM. Apple provided TrueType outline files for the bitmapped 'city' system fonts, allowing letter quality WYSIWYG printing.
A reboot was required after installing new fonts unless using a font management utility such as Suitcase, FontJuggler or MasterJuggler.
System 7 – Mac OS 9[edit]
A highly touted feature of System 7 was integrated TrueType outline font support, which received industry support from Microsoft. Fonts were still stored in the System file but could be installed using drag-and-drop. To install new fonts, one had to quit all applications.
Despite this, ATM and PostScript Type 1 fonts continued to be widely used, especially for professional desktop publishing. Eventually Adobe released a free version of their utility, called ATM Light.
In System 7.1, a separate Fonts folder appeared in the System Folder. Fonts were automatically installed when dropped on the System Folder, and became available to applications after they were restarted. Font resources were generally grouped in suitcase files. However, rules for storing printer fonts varied greatly between different system, printer and application configurations until the advent of the new Fonts folder. Typically, they had to be stored directly in the System Folder or in the Extensions Folder.
System 7.5 added the QuickDraw GX graphics engine. TrueType GX supported ligatures and other advanced typography features. However little software supported these features and PostScript remained the standard.
Starting with Mac OS 8.5, the operating system supported data fork fonts, including Windows TrueType and OpenType. In addition, Apple created a new format, called>.dfont. PostScript variant.
Fonts in the /System/Library/Fonts folder and the /Library/Fonts folder are available to all users. Fonts stored in a user's ~/Library/Fonts folder are available to only that user. Previously, up to OS X 10.4, both Mac OS 9 applications running in the legacy Classic Environment and native applications could access fonts stored in the Mac OS 9 system folder
macOS includes a software rasterizer that supports PostScript. Thus eliminating the need for the Adobe Type Manager Light program. The built-in text editing supports advanced typesetting features such as adjustable kerning and baseline, as well as a few OpenType features.
Support for QuickDraw GX fonts was dropped in macOS in favor of TrueType fonts using AAT features. Bitmap fonts are only used on screen if there is a corresponding vector form (which is always used in printing).
Since OS X v10.3 (Panther), a utility called Font Book has been included with the operating system allowing users to easily install fonts and do basic font management.
Third-party font managers[edit]
As desktop publishing took off and PostScript and other outline font formats joined the bitmap fonts, the need for unified font management grew. A number of third parties have created tools, such as Suitcase, for managing font sets. For example, they allowed enabling or disabling fonts on-the-fly, and storing fonts outside of their normal locations. Some even allow the use of Windows .ttf font files natively on systems prior to macOS.
Font technology[edit]
TrueType and PostScript[edit]
TrueType is an outline font standard developed by Apple in the late 1980s, and later licensed to Microsoft, as a competitor to Adobe's Type 1 fonts used in PostScript, which dominated desktop publishing.
The outlines of the characters in TrueType fonts are made of straight line segments and quadratic Bézier curves, rather than the cubic Bézier curves in Type 1 fonts. While the underlying mathematics of TrueType is thus simpler, many type developers prefer to work with cubic curves because they are easier to draw and edit.
While earlier versions of the Mac OS required additional software to work with Type 1 fonts (as well as at least one bitmap copy of each Type 1 font to be used), macOS now includes native support for a variety of font technologies, including both TrueType and PostScript Type 1.
Microsoft, together with Adobe, created an extended TrueType format, called OpenType. Apple, however, continued to develop TrueType. A Zapf table, for example, maps composite glyphs to characters and vice versa and adds other features. The table was named after typeface creator Hermann Zapf with permission.[3]
QuickDraw GX[edit]
QuickDraw GX was a complete overhaul of the Macintosh graphics system, including the font system, which was rolled out for System 7.5 in 1995. QuickDraw GX fonts could be in either TrueType or PostScript Type 1 formats and included additional information about the glyphs and their purpose. Advanced features, such as ligatures, glyph variations, kerning information and small caps, could be used by any GX enabled application. Previously, they had typically been reserved for advanced typesetting applications.
Microsoft was refused a license to GX technology and chose to develop OpenType instead. GX typography and GX technology as a whole never saw widespread adoption. Support for GX was dropped in later versions.
AAT covers much of the same ground as OpenType. It incorporates concepts from the Multiple Master font format, which allows multiple axes of traits to be defined and an n-dimensional number of glyphs to be accessible within that space. AAT features do not alter the underlying characters, but do affect their representation during glyph conversion.
AAT is supported in IBM's open source ICU library, which implements support for AAT fonts under Linux and other open source operating systems.
Hinting technology[edit]
Hinting is the process by which TrueType fonts are adjusted to the limited resolution of a screen or a relatively low resolution printer. Undesired features in the rendered text, such as lack of symmetry or broken strokes, can be reduced. Hinting is performed by a virtual machine that distorts the control points that define the glyph shapes so that they fit the grid defined by the screen better. Hinting is particularly important when rendering text at low effective resolution: that is, with few pixels per character.
Hinting is part of the TrueType specification, but Apple held three patents in the United States relating to the process:
- US 5155805 'Method and apparatus for moving control points in displaying digital typeface on raster output devices' (filed May 8, 1989)
- US 5159668 'Method and apparatus for manipulating outlines in improving digital typeface on raster output devices' (filed May 8, 1989)
- US 5325479 'Method and apparatus for moving control points in displaying digital typeface on raster output devices' (filed May 28, 1992)
Until they expired, Apple offered licensing of these patents. Microsoft had access to Apple's TrueType patents through cross-licensing. These patents have proven problematic to developers and vendors of open source software for TrueType rendering, such as FreeType. To avoid infringing on the patents, some software disregarded the hinting information present in fonts, resulting in visual artefacts. FreeType developed an automatic hinting engine, but it is difficult to beat the explicit hinting guidelines provided by the typeface designer. The problem of lacking hinting could also be compensated for by using anti-aliasing, although a combination of the two produces the best result.
Subpixel rendering[edit]
OS X/macOS uses subpixel rendering. Version 10.2 introduced subpixel rendering of type and Quartzvector graphics. This feature is enabled using the System Preferences panel 'General' (10.2) or 'Appearance' (10.3), by setting the font smoothing style to 'Medium — best for Flat Panel'. OS X 10.4 introduced an 'Automatic' setting which transparently chooses either 'Medium' or 'Standard,' depending on the type of main display. The quality of the rendering compared to Microsoft's ClearType and FreeType is contested, and is largely a matter of reader preference. However, Apple's approach differs from that of ClearType and FreeType in that TrueType hinting instructions are discarded for all but the smallest type sizes. This results in more consistency of rendering on Mac OS at the expense of allowing type designers a level of fine tuning through hints.
Fonts of the original Macintosh[edit]
Approximately 12 fonts were included with the classic Mac OS (versions 1–9). With the sole exception of Bill Atkinson's Venice typeface, the fonts included with the original Macintosh were designed by Susan Kare, who also designed most of the Macintosh's original icons.
The Macintosh was an early example of a mainstream computer using fonts featuring characters of different widths, often referred to as proportional fonts. Previously, most computer systems were limited to using monospaced fonts, requiring, for example, i and m to be exactly the same width. Vector-based fonts had yet to appear in the personal computer arena, at least for screen use, so all the original Mac's typefaces were bitmaps. Fonts were available in multiple sizes; those sizes installed on a system would be displayed in the font menu in an outline style.
From System 1 through Mac OS 7.6, the default system fonts for Mac OS were Chicago for menus and window titles and Geneva for Finder icons, and they could not be customized. The fonts for Finder icons became customizable starting in System 7. It is accessible in the 'Views' control panel. In Mac OS 8 and Mac OS 9, the default system font was changed to Charcoal menus and window titles, but it could be customized in Preferences. Juegos de casino gratis quick hit.
Naming[edit]
After designing the first few fonts, the team decided to adopt a naming convention. First, they settled on using the names of stops along the Paoli, Pennsylvania, commuter rail line: Overbrook, Merion, Ardmore, and Rosemont. Steve Jobs had liked the idea of using cities as the names, but they had to be 'world class' cities.[4] You will be remembered mac os.
Variants[edit]
Ninja tycoon mac os. Variants of each font were algorithmically generated on-the-fly from the standard fonts. Bold, italic, outlined, underlined and shadowed variations were the most common, though some applications also included subscript and superscript.
Outline, shadow and underline are not always supported by modern software and fonts.
Apple logo[edit]
Apple's fonts and the Mac OS Romancharacter set include a solid Apple logo. Angel vs demons game. One reason for including a trademark in a font is that the copyright status of fonts and typefaces is a complicated and uncertain matter. Trademark law, on the other hand, is much stronger. Third parties cannot include the Apple logo in fonts without permission from Apple.[citation needed] Apple states in the MacRoman to Unicode mapping file that:
On regular US QWERTY keyboards, the logo character can be typed using the key combination Shift Option K (⇧⌥K). In MacRoman, the Apple logo has a hex value of 0xF0. The Apple logo has not been assigned a dedicated Unicode code point, but Apple uses U+F8FF () in the Private Use Area.
Note that the logo does have a unique PostScript name in the Adobe Glyph List - /apple, mapping to F8FF. Novaforge mac os.
List[edit]
- Athens (slab serif)
- Cairo was a bitmapdingbat font, most famous for the dogcow at the z character position.
- Chicago (sans-serif) was the default Macintosh system font in System 1–7.6. Also seen on LCD screens of earlier iPod models.
- Geneva (sans-serif) is designed for small point sizes and prevalent in all versions of the Mac user interface. Its name betrays its inspiration by the Swiss typeface Helvetica. Nine point Geneva is built into Old World ROM Macs.
- London (blackletter) was an Old English–style font.
- Los Angeles (script) was a thin font that emulated handwriting.
- Mobile was a bitmapdingbat font. Before System 6, it was known as Taliesin.
- Monaco (sans-serif, monospaced) is a fixed-width font well-suited for 9–12 pt use. Ten point Monaco is built into Old World ROM Macs.
- New York (serif) was a Times Roman–inspired font. The name alluded to the inspiration, even though the Times for which Times Roman was created was that of London, not New York.
- San Francisco was a whimsical font where each character looked as if it was a cutout from a newspaper, creating an intentional ransom note effect.
- Toronto (slab serif) was a geometric design. It was removed from System 6 and later.
- Venice (script) was a calligraphic font designed by Bill Atkinson.
See also[edit]
References[edit]
- ^'Fonts supplied with Mac OS'. Microsoft. 2001-05-29. Retrieved 2008-07-17.CS1 maint: discouraged parameter (link)
- ^Strizver, Ilene (2015-06-29). 'Hermann Zapf, ITC & Apple: The History of ITC Zapf Chancery & ITC Zapf Dingbats'. CreativePro.com. Retrieved 2017-05-27.
- ^ ab'The TrueType Font File - The Zapf table'. TrueType Reference Manual. Apple Computer, Inc. 2000-09-14. Retrieved 2017-07-25.
- ^'World Class Cities'. Folklore.org. Retrieved 2008-07-17.CS1 maint: discouraged parameter (link)
External links[edit]
- 'Mac OS 7.x, 8.x 9.x: Fonts Included With Major System Releases'. Apple Inc. 2002-06-11. Retrieved 2008-07-17.CS1 maint: discouraged parameter (link)
This post is for the Mac users.
When it comes to Mac OS X, the number of freeware plugins is very low, compared to the Windows world.
The popular 'Save as VST' softwares (Synthedit and Synthmaker) are Windows only.
The 'upgrade' politic of Apple is a sort of nightmare for developers (and sometimes users!), so many old free plugins don't work anymore…
I have searched for free MAC plugins over the web and then tested !
– only free synth (not effects), in VST and or AudioUnit (AU) format
– the OS used is Mac OS X 10.8 (Mountain Lion)
– i tested the plugins in Ableton Live 9 / Renoise / some free VST & AudioUnit host softwares (Pedalboard, the JUCE open source plugin host, VSTLord, AULab, Ugly VSTi Interface…)
It's a selection with free virtual analog synths, organ emulations, epiano emulations, drum synth, bass synth, FM synth, emulation of Oberheim / NordLead / DX 7 synth, chip synth, guitar emulation…
and here a list of 25 free synth plugins for Mac OS X :
1. Synth1 AU/ VST
The must-have free synth plugin is available for Mac since one or two years, it is in beta state, it still have some minor bugs with the UI, but it's usable and you can benefit from the incredible amount of presets created for Synth1, including these 😀
=>
https://blog.wavosaur.com/synth1-presets-chris-bank-volume-2/ &
https://blog.wavosaur.com/chris-bank-synth1-reup/
I had some problems for saving preset in Ableton Live.
Synth1 can do an incredible variety of sounds.
The most versatile Synth in this list
2. OBXD AU / VST
OBXD AU
The free Oberheim OB-X OB-Xa OB-8 emulation !
work without any problem in my AudioUnit / VST hosts on Mac.
3. Tyrell N6 AU / VST
http://www.u-he.com/cms/tyrelln6
DL here : http://www.amazona.de/amazona-de-freeware-synthesizer-tyrell-n6-v3/
U-He loves the Mac, don't hesitate to have a look at the other freeware on the Website, all are working without problems in VST or AudioUnit format. I have also selected Triple Cheeze and Zebralette from the same developer. These plugins are good and full featured. Project.99_1704 mac os.
TyrellN6 plugin comes with a big amount of presets, and a deep variety of sounds. It's powerful and easy to program. It's rock solid stable and have a nice UI too!
4. FreeAlpha AU / VST
FreeAlpha AU
This freeware from LinPlug sounds very good, it has punch and is easy to tweak. It can do punchy bass, but also nice pads and clean leads. Despite its simple look, it's powerful and funky!
5. Crystal AU / VST
The old Crystal Synth is still top, and one of the best synth for complex / evolving PADS, with its multipoint envelopes, and the complete modulation matrix.
One of the best virtual synth, for more than 10 years!
6. TAL NoiseMaker AU / VST
TAL Noisemaker
Like U-He, TAL has many freebees for Mac OS X.
I have selected Noize M4k3r and Elek7tro but you also have other interesting plugins.
The 'Noise Maker' plugin has two osc + sub, a good filter and the famous Chorus 'a la Roland', so you have all you need for your fat bass/lead. Certainly more agressive than Crystal, it completes well the sonic arsenal.
7. Dexed FM VST
The famous free Yamaha DX7 emulation ! It's VST only (no AU for the moment).
Use the cart / load / save button to browse or import presets.
It can read / write sysex files for and from the DX7.
Now all your FM needs are fullfilled: you can do pop ballad or Detroit techno, vive la FM !
8. MiniSpillage AU (Drum Synth)
MiniSpillage AU
Now that we have the FM synth, the Pad synth, the Bass synth and Lead capable synths, we need a DRUM synth. The Minispillage plugin has three dedicated algo for bass drum, wood drum and hihat.
Snek (snepica studios) mac os. I tend to prefer 'Drumatic' but Drumatic is Windows only.
9. ComboF organ AU / VST
After all these synths, we now need an emulation of our prefered organ : the Farfisa combo organ!
ComboF gives you the sound of the Italian electric organ we all love. Available for Mac and windows, in AudioUnit and VST!
10. MrTramp 2 e-piano AU / VST
MrTramp2
After the organ emulation, we need the electric piano! MrTramp 2 is the best (free or not) emulation of the Wurlitzer electric piano. It's raining again ! Now you can sound like Supertramp ! Breakfast in America !! There are not so much controls but you don't need more, and the sound is excellent.
11. Cheeze Machine AU
A dedicated string synth plugin for Mac ! The Cheeze machine from Big Tick is a kind of Arp Solina emulation. It has this phaser / chorus creamy sound.
it's AU only and should work with your favorite Mac host software.
12. TripleCheese AU / VST
TripleCheeze plugin
Cheese again !
The U-He contribution to the first KVR Developer Challenge. It's an original synth with unusual sound generation. Nice for plucked sounds. Works well on my Mac OS X Mountain Lion. Thanks to the comb filter, you can generate very original sounds.
13. Zr3 organ VST
We have ComboF for the Farfisa emulation, and for the Hammond B3 organ lovers, there's Zr3.
It's VST only and works nice in Ableton Live 9.
The only good free Hammond B3 emulation for Mac OS X.
14. TAL Elek7ro AU / VST
TAL Elektro
A perfect free synth for bass and perc sounds.
Don't forget to check the other TAL plugins !
15. VST Speek AU / VST
Coming from here ! the funkiest text to speech in plugin format !
The best C64 Sam oldskool text to speech emulator, for all your techno voices.
Available in 32 & 64 bit, VST & AU
16. Zebralette AU / VST
Zebralette plugin
Coming with the demo of Zebra, the famous synth by u-He, Zebralette is a nice synth, with unusual sound, and powerful possibilities and plenty of special waveforms to play with.
17. Model – E VST
The antic VST from Steinberg, now free, and now available in VST format for Mac OSX.
It has been surpassed in all domain by many other synth (freeware included). But it can be useful and you can get some nice sounds out of it if you tweak it with love.
18. VB-1 virtual bass VST
VB1 bass
Another prehistoric virtual synth from Steinberg, this virtual bass plugin is free and available with Model E in the same package (see link above). Very simple sound, can be useful.
Freeware for Mac are rare so we take it!
19. MDA Piano ePiano DX10 & JX10 VST
NO GUI
These free VST work for Mac OS X, they don't have UI, you'll have to use the default interface supplied by your host.
– Piano & ePiano are sample based synth, the ePiano is very good, it's a kind of Rhodes emulation.
– DX10 is a FM Synth, it has only two operators, but you can still get nice bell sounds out of it.
– JX10 is a very nice virtual analog synth, despite some bugs (the Windows version has the same), it can do some very nice leads.
20. 4Front R-Piano AU / VST
Another free electric piano emulation for your Mac!
It's simple and has a nice clean sound. Perfect for deep house chords.
21. Chip32 AU
Chip 32 AU
This is the URL where you can also find the Cheeze Machine VST, and also the very good Clavinet emulation by Big Tick (TickyClav). Chip32 is a very simple plugin, perfect for your chip tune needs.
22. Spicy Guitar AU / VST
A free Audio Unit / VST emulation of an acoustic guitar ! It's use a physical modelled synthesis, and is a great emulation. Here are coming the ukulele / banjo / Flamenco guitar !
Beat Sturgeon Mac Os Catalina
23. Scythe VST
Scythe VST
A very simple VA Synth (VST only), with two oscillators, a filter, modulation envelope & some embedded effects : bitcrusher / phaser / chorus / delay.
It's simple but efficient.
You can also generate random presets!
24. Automat AU
A virtual substractive synth with 3 osc, and filter for each osc, + many effects and modulations.
It's audiounit only, and like Scythe, it has a random preset generator.
25. VOPM VST
VOPM VST synth
A VST emulation of the Yamaha YM2151 Chip that was used in many arcade games, and is similar to the chip in the Sega Megadrive. It's a 4 operator FM synth, with 8 algorithm.
here's a lot of preset for VOPM : http://truechiptilldeath.com/blog/2010/05/04/opm-patches-out-of-most-genesis-games/
26. Bonus tracks ?
1) there's also kickmaker, a free kick drum synthesizer in VST and AU format : http://teragonaudio.com/KickMaker.html
Beat Sturgeon Mac Os Download
and C700, that can load sample in aiff and wav format :
http://picopicose.com/software.html
2) I also tried other free VST plugins for MAC , but with no luck (no one working in any host on my Mac OS X Mountain Lion), i think these are too old plugins, or maybe ppc plugins (even if they were said to work on Mac OS X).
For example :
the Delay Lama ! http://www.audionerdz.nl/download.htm
AU303 & AirySynth : http://airy.andre.online.fr/AU/index.html#au303
3) I'm working on a port of Rave Generator VST for MAC, here you can find a beta (x64 only, VST only) :
https://www.facebook.com/groups/149376535107031/835302689847742/
Beat Sturgeon Mac Os Downloads
3) I'm also working on a port of CreakBox (the TB303 plugin) for MAC OS X (i already have converted it to VST2.4 then to 64 bit), see link ( @ 6. and in the comments) :
https://blog.wavosaur.com/best-free-tb-303-emulation-sotware-vst-plugins-standalone/
4) i'll do another posts with the free effect plugins for MAC ! It seems there are more effects available for free than synths.
